The Good Times Are Killing Me.
You never know who is going to show up to a Broken Social Scene show.
It has been six years since the so-called "indie supergroup" released You Forgot It In People, five years since I first heard Anthems For A Seventeen Year Old Girl in a car ride on a lonely road off Lake Huron and four years since I saw them play for the first time, at LeRendezvous, a club in Winnipeg's French quarters that I'm told has long since been plowed down and redeveloped.
Since then I have skipped numerous BSS tours, all but wrote off the slew of solo albums and tucked the old BSS disc next to Feist's Let It Die in the section of my music collection labeled "mostly for when I'm hanging out with mum".
Then last night I found myself in an over-crowded over-sized music hall with large screens lining the walls, playing the concert in real-time (admittedly more high tech than my beloved LeRendezvous), at yet another Broken Social Scene show. But even stuffed into a crowd of people who were all easily one-head taller than me, Kevin Drew, Brendan Canning and their pack of superstar, indie darling friends, reminded why I loved Broken Social Scene so much.
Mr. Isaac Brock took to the stage , even squeezing some Modest Mouse tracks into the set. Former Winnipeger Julie Penner lent her violin skills and Emily Haines looked surprisingly happy as she provided the vocals for several tracks, including Anthems For A Seventeen Year Old Girl.
I felt like my wide-eyed summer of 2004 all over again.
It has been six years since the so-called "indie supergroup" released You Forgot It In People, five years since I first heard Anthems For A Seventeen Year Old Girl in a car ride on a lonely road off Lake Huron and four years since I saw them play for the first time, at LeRendezvous, a club in Winnipeg's French quarters that I'm told has long since been plowed down and redeveloped.
Since then I have skipped numerous BSS tours, all but wrote off the slew of solo albums and tucked the old BSS disc next to Feist's Let It Die in the section of my music collection labeled "mostly for when I'm hanging out with mum".
Then last night I found myself in an over-crowded over-sized music hall with large screens lining the walls, playing the concert in real-time (admittedly more high tech than my beloved LeRendezvous), at yet another Broken Social Scene show. But even stuffed into a crowd of people who were all easily one-head taller than me, Kevin Drew, Brendan Canning and their pack of superstar, indie darling friends, reminded why I loved Broken Social Scene so much.
Mr. Isaac Brock took to the stage , even squeezing some Modest Mouse tracks into the set. Former Winnipeger Julie Penner lent her violin skills and Emily Haines looked surprisingly happy as she provided the vocals for several tracks, including Anthems For A Seventeen Year Old Girl.
I felt like my wide-eyed summer of 2004 all over again.