Somewhere in a graveyard in Paris, Oscar Wilde is smiling.

Just in case you were hiding under a rock, had better things to do, more pressing things to talk about or more "important" sections of the paper to read, here's a look at the week that was, in fashion.

Adam Senn did something this week that Whitney Port and Oliva Palermo do very rarely. His job. Adam, an actual model, walked the runway for D&G at their Oscar Wilde inspired fall/winter show in Milan.

People talked about what Michelle Obama wore for the most of the week. The reviews were mixed. And throughout most of the inauguration all I could think about was the Vogue cover rumour. That, and Aretha Franklin's suspiciously large (and fantastic) hat.

The rumours about an Anna Wintour 60-minutes special are likely a pr move either to keep people talking about Vogue or an actual attempt to soften Wintour's ice-queen image. Don't worry Anna, though we're afraid of you (and convinced you may have superpowers), we love you dearly. Long live the queen.

Designers in North America are worrying about their bank accounts, canceling parties and showing collections off-site to avoiding the steep prices of Fashion Week, but things in Sao Paulo's textile industry aren't so bad.

In Milan news, NYT fashion critic Guy Trebay wrote the best line printed in the style pages since all the other sections started using the word "recession". Dark times call for dark coats.

Thom Browne staged something of a human instillation to showcase his men's line in Florence. Innovative concept, beautiful clothing and immaculate execution. Very Anthony Goiciolea. Well played, Mr. Browne.